A blog about my art, inspiration, process and color
IKEA Fabric
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IKEA Portland had this fabric (SARALISA) on display as I walked into the store. I seized, practically hugging the image with my mind. Nice pattern, abstraction and shape.
I love Ikea fabric, and am currently using Saralisa (though the colors are different from your picture). What I like best is the ways in which the original pattern can be cut up and resewn so that new patterns emerge.
In 2006, I had my first show at the Augen Gallery in Portland, Oregon (my first actual gallery shows were at the Marghitta Feldman Gallery 2003-2005) in Portland. I was 36, and was THRILLED to be in such a great gallery that championed my work. I worked my ass off, made art 6 days a week, and taught at the Art Institute of Portland, and my art was reviewed by Richard Speer in ArtNEWS Magazine! I had many shows afterward, sold a lot of art, connected with individuals and then it ran its course. I was grateful to have had the experience, but the gallery and I weren't a good fit for each other anymore (I was too interested in finding every way I could to make money from my art [read: reproductions|). It ended September 2020. Even thought I don't sell reproductions anymore like I used to, I learned to connect with individuals authentically and discuss how our past and childhoods affect who we are today. I know my mission. and how my art helps individuals. I know who I am and what I...
As someone who grew up in Portland, Oregon (on the west side of the Cascade Mountain Range in the Pacific Northwest [USA]), rain is something that is simply part of life. When it isn't raining, like during the summer, I miss it, and can't wait for it to begin again. When it is raining, or let's say raining too much, I wish it would stop so I can at least go for a walk. ❤️Cynthia "Water Swirl 3" Gel ink on acid-free paper 11 x 8.5 in (28 x 22 cm) $200 Purchase it here: https://buy.stripe.com/7sI28b301fr522c9B0 #cynthiamosser #drawing #blueline #art #raindrops #rain #pnw #raining #water #vancouverwa
Canadian artist Christi Belcourt created this dotted floral pattern painting on a black background symbolizing nineteenth-century Métis beadwork . From her Lessons from the Earth exhibition (2003) the central flower symbolizes her mentor, a woman who was a great connector. As a fan of anything floral and decorative, this intricate piece is right down my alley: color, pattern, folk art-oriented and whimsy. The Conversation , 2003 Acrylic on Canvas 52" x 52"
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