Ubiquitous Family Stickers (Vancouver, WA)

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Someone's been busy.

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2006 - 2020 Gallery Shows

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In 2006, I had my first show at the Augen Gallery in Portland, Oregon (my first actual gallery shows were at the Marghitta Feldman Gallery 2003-2005) in Portland. I was 36, and was THRILLED to be in such a great gallery that championed my work. I worked my ass off, made art 6 days a week, and taught at the Art Institute of Portland, and my art was reviewed by Richard Speer in ArtNEWS Magazine! I had many shows afterward, sold a lot of art, connected with individuals and then it ran its course. I was grateful to have had the experience, but the gallery and I weren't a good fit for each other anymore (I was too interested in finding every way I could to make money from my art [read: reproductions|). It ended September 2020. Even thought I don't sell reproductions anymore like I used to, I learned to connect with individuals authentically and discuss how our past and childhoods affect who we are today. I know my mission. and how my art helps individuals. I know who I am and what I...
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Jacob Christian SCHAFFER - color development

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The pre-development of the color wheel took on many formats in the 18th century (tables, charts).  Before the color wheel came into a more popular use, Jacob Christian Schäffer, a naturalist, inventor and German Evangelical superintendent of Regensburg – created his own color system in 1769. In an effort to create order within the color universe, he gave blue, red, and yellow pride of place in his hierarchy, explaining how these primary colors could be combined to create a multitude of shades in between. Color printing was expensive at the time (which could emulate many colors possibilities in the way Pantone does). Although this color chart is exceptionally limited, I LOVE the shapes and stripes juxtaposition. How contemporary it appears! Image source: printmag.com
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CONVERSATION - Christi Belcourt

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Canadian artist Christi Belcourt created this dotted floral pattern painting on a black background symbolizing nineteenth-century Métis beadwork . From her Lessons from the Earth exhibition (2003) the central flower symbolizes her mentor, a woman who was a great connector. As a fan of anything floral and decorative, this intricate piece is right down my alley: color, pattern, folk art-oriented and whimsy. The Conversation , 2003 Acrylic on Canvas 52" x 52"
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