In 2006, I had my first show at the Augen Gallery in Portland, Oregon (my first actual gallery shows were at the Marghitta Feldman Gallery 2003-2005) in Portland. I was 36, and was THRILLED to be in such a great gallery that championed my work. I worked my ass off, made art 6 days a week, and taught at the Art Institute of Portland, and my art was reviewed by Richard Speer in ArtNEWS Magazine! I had many shows afterward, sold a lot of art, connected with individuals and then it ran its course. I was grateful to have had the experience, but the gallery and I weren't a good fit for each other anymore (I was too interested in finding every way I could to make money from my art [read: reproductions|). It ended September 2020. Even thought I don't sell reproductions anymore like I used to, I learned to connect with individuals authentically and discuss how our past and childhoods affect who we are today. I know my mission. and how my art helps individuals. I know who I am and what I...
As a young child, I creatively adjusted myself so that nobody really knew what I liked. It was a way to stay under the radar, so as not to rock the boat in my family. I also didn't even really know how to play. Now I know how to express myself and play, but it's taken some time. My colorful work is a reflection of play and how play is also possible for you too. May this piece be a reminder that you're safe to play. Cynthia Hands & Leaves, 2022 Gouache on Museum Board 7 x 5 in $450 Payment link: https://buy.stripe.com/4gw7sv9op0wb6isaEH #cynthiamosser #painting #reminderofplay
This blue pen and ink drawing represents the feeling of the beginning of spring. It feels bouncy, exciting, fertile, possible and joyous. You can see plants sprout to life. In essence, you see life manifest its vitality through nature. Love, Cynthia ❤ "Fling", 2023 Gel ink on acid-free paper 11 x 8.5 inches (28 x 21.6 cm) $200 Buy it here: https://buy.stripe.com/eVa9AD445a6LayI4gJ https://www.cynthiamosser.com
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