A blog about my art, inspiration, process and color
Chandelier - San Francisco
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I stumbled upon this chandelier in the lobby of SF's Union Square Hotel (Sept. 2007). Each bulb is 15 watts, and the design is definitely a "truth to materials" project. It's a nice light bouquet.
In 2006, I had my first show at the Augen Gallery in Portland, Oregon (my first actual gallery shows were at the Marghitta Feldman Gallery 2003-2005) in Portland. I was 36, and was THRILLED to be in such a great gallery that championed my work. I worked my ass off, made art 6 days a week, and taught at the Art Institute of Portland, and my art was reviewed by Richard Speer in ArtNEWS Magazine! I had many shows afterward, sold a lot of art, connected with individuals and then it ran its course. I was grateful to have had the experience, but the gallery and I weren't a good fit for each other anymore (I was too interested in finding every way I could to make money from my art [read: reproductions|). It ended September 2020. Even thought I don't sell reproductions anymore like I used to, I learned to connect with individuals authentically and discuss how our past and childhoods affect who we are today. I know my mission. and how my art helps individuals. I know who I am and what I
As a young child, I creatively adjusted myself so that nobody really knew what I liked. It was a way to stay under the radar, so as not to rock the boat in my family. I also didn't even really know how to play. Now I know how to express myself and play, but it's taken some time. My colorful work is a reflection of play and how play is also possible for you too. May this piece be a reminder that you're safe to play. Cynthia Hands & Leaves, 2022 Gouache on Museum Board 7 x 5 in $450 Payment link: https://buy.stripe.com/4gw7sv9op0wb6isaEH #cynthiamosser #painting #reminderofplay
Designed by Karin Wittmann Wilsmann , this shag-like, eco-design, recycled flip-flop ottoman is suitable for seating and outdoor use. Made in Brazil. Image source: gueto.com.br
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